CHANTAL BILODEAU is a playwright and translator whose work focuses on the intersection of science, policy, art, and climate change. She is the Artistic Director of The Arctic Cycle – an organization created to support the writing, development and production of eight plays that look at the social and environmental changes taking place in the eight Arctic states; the founder of the blog and international network Artists and Climate Change, and; a co-founder of Climate Change Theatre Action.
She is a recipient of the Woodward International Playwriting Prize as well as the First Prize in the Earth Matters on Stage Ecodrama Festival and the Uprising National Playwriting Competition. Productions include Forward (Kansas State University, 2016), Sila (Cyrano's Theatre, 2016; Underground Railway Theater, 2014), and the English translations of Thus Spoke and Logic of the Worst by Étienne Lepage (Yukon Arts Centre, Festival TransAmériques, 2016), and Holy Land by Mohamed Kacimi (3rd Kulture Kids, 2014). Her work has been read and developed in the U.S., Canada, Mexico, Italy and Norway.
Her translations include over twenty plays by contemporary playwrights Sébastien David (Quebec), Mohamed Kacimi (Algeria), Koffi Kwahulé (Côte d’Ivoire), Catherine Léger (Quebec), Étienne Lepage (Quebec), David Paquet (Quebec), and Larry Tremblay (Quebec).
She curates the HowlRound series Theatre in the Age of Climate Change and has written about the intersection of arts and climate change for American Theatre Magazine, the Center for Energy and Environmental Research in the Human Sciences, and the World Policy Institute.
She is a member of the Dramatists Guild of America, the Playwrights Guild of Canada, and an artistic collaborator in the Science & Arts Project at the International Institute for Applied Systems Analysis in Vienna.